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The full backstory for the heroine doesn’t come out until Chapter Eight. In The Alpha’s Edge, the reader knows from page one the hero is a werewolf and quickly learns he’s the head of a global security company. However, I have a strong preference for presenting the backstory at the pertinent moment later on in the forward-moving events. I know many talented writers write Prologues. Dialogue is, furthermore, a great revealer of character. Characters are revealed through events, and characters affect events, just as events affect characters. Ideally, your story will be a continuous unfolding of events and characters. Or are bones the story (structure) and muscle the characters? Doesn’t matter.
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I also jotted down the various character traits revealed in each of the chapters, making sure to deepen the characters with the development of the story.īone (characters) and muscle (plot) develop together. Although the titles do not appear in the final story, they helped me: move material around in the chapters I had already written see where I needed to fill in and stay on track with a forward progression of the plot. Titling the chapters of The Alpha’s Edge in terms of the main event of each chapter gave me focus. I sometimes tell my undergraduates, when writing their term papers, to read through all their topic sentences in succession to see whether they see a forward movement of their argument or not. I don’t mean for you to put your chapter titles in your published story (unless you want to). The first chapter of Moby Dick is entitled “Loomings.” Oooh, good one. Old-timey novels used to have chapter titles. I got unstuck by using a trick I hadn’t thought of in years: Story Magic Tip: Title your chapters My problem was I didn’t actually know what was happening in my chapters or what was supposed to happen or what I thought should happen. When writing a paranormal, the writer needs to know answers to basic questions upfront, such as: Do the weres age faster than the humans? and Do the humans know the weres exist? So, I had some world building to sort through, but this effort wasn’t the source of my stuck-ness. Thereafter I wrote myself into a serious muddle and then got really stuck. At 28,000 words, it has 9 full chapters, 2 short final chapters and an Epilogue. It takes place in a 24-hour time period on one street in London and involves an intertwined murder mystery-romance. The Alpha’s Edge observes the Aristotlean principle of the unity of time and action (plus place). To illustrate my point about story magic I’ll use The Alpha’s Edge, a shapeshifter short story I just finished writing.